Loving Victorious Beings fan world
Thousands in the square under a giant Catrina, cempasúchil in every bed, the Cathedral in low sun. The fiesta scene: see what the oranges and the pinks do to skin, flags and flowers.
Photograph by ProtoplasmaKid, CC BY 4.0, via Wikimedia Commons.
The pedestrian street from the Zócalo to the Torre Latinoamericana, shoulder to shoulder at the hour these lenses were made for. Stone goes to honey; look at what the blues do to the shade.
Photograph by ProtoplasmaKid, CC BY 4.0, via Wikimedia Commons.
Ten storeys up at the corner of Madero: the Torre Latino, the dome of Bellas Artes, a sky full of cumulus and a river of cars. The rooftop view, and the sky the Blue Heavens gradient is cut for.
Photograph by ProtoplasmaKid, CC BY-SA 4.0, via Wikimedia Commons.
A cobbled plaza, a baroque chapel and the trees of Coyoacán on a grey day: the neighbourhood afternoon that Olivelo or Diamond Green turns into spring.
Photograph by ProtoplasmaKid, CC BY 4.0, via Wikimedia Commons.
Jungle to boulders to a slip of white sand and the sea, on Mexico's Pacific coast. The closest openly licensed photograph to a Tulum morning; Caribbean Gold and Rosa make it the postcard.
Photograph by Dennis Sylvester Hurd, CC0, via Flickr.
Where The Night of the Iguana was filmed: a rocky cove, Los Arcos on the horizon, a hotel on the hill. Put on Electric Blue and watch the bay deepen.
Photograph by Dennis Sylvester Hurd, CC0, via Flickr.
A beach, a marina and turquoise shallows from the air at the pink end of the day: the hotel-zone mood, from above. Baja Orange, in Baja.
Photograph by Omar David Sandoval Sida, CC BY-SA 4.0, via Wikimedia Commons.
No openly licensed 360° of Black Rock City exists, so here is the closest thing: a cracked pan with tyre tracks and nothing to the horizon at golden hour. The playa light, for the Mayan frame.
Photograph by Dario Barresi, CC0, via Poly Haven.
The sunset-bar hour Ibiza's west coast is famous for, photographed on another coast of the same Atlantic. Take the glasses off at the right moment for the afterimage.
Photograph by Greg Zaal and Rico Cilliers, CC0, via Poly Haven.
A 360° video, not a still: the camera walks the beach under the lighthouse, so the world moves around you the way a real morning out does. Look back over your shoulder as you go.
360° video by GlennsYouTube, cut to a short loop, CC BY 3.0, via Wikimedia Commons.
On a bicycle, as Star asked: trees stream past, the ridge opens, and the lens has to keep up with a moving world. Olivelo and Diamond Green were made for green like this.
360° video by 360 New Zealand Ltd, cut to a short loop, CC BY-SA 3.0, via Wikimedia Commons.
An hour from the Treviso workshop where every pair is made. Watch what the oranges and the violet do to a sunset.
Photograph by Greg Zaal, CC0, via Poly Haven.
The brightest world here. Olivelo needs this much light to come alive; Rosa shows how little it takes to soften glare.
Photograph by Andreas Mischok, CC0, via Poly Haven.
The world LVB made the oranges for. Put on Pop Orange here and the afternoon becomes a sunset.
Photograph by Greg Zaal, CC0, via Poly Haven.
Where most of us actually live. Orange Skies and Rosa are the everyday lenses for exactly this.
Photograph by Sergej Majboroda, CC0, via Poly Haven.
Electric Blue turns lamplight into moonlight. Caribbean Gold does the opposite and gilds the colonnade.
Photograph by Andreas Mischok, CC0, via Poly Haven.
Caribbean Gold lifts green, and this is where you can see it. Diamond Green rinses the whole field.
Photograph by Sergej Majboroda, CC0, via Poly Haven.
Quiet enough to feel what Purple Haze and Flamingo do to a fading day.
Photograph by Dimitrios Savva and Jarod Guest, CC0, via Poly Haven.
Stone, sky and crowds. The pinks make the whole square look like it is in love.
Photograph by Greg Zaal and Rico Cilliers, CC0, via Poly Haven.
